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From the Edge of Silence: SAVE US - Death To Something (Album Review) Released: 10/16/26

  Some bands form because of ambition. SAVE US formed because three people were close to quitting. That origin story hangs over their Solid State debut, Death To Something , and it gives the record an emotional gravity that a lot of modern alternative metal chases and misses. This is a band that sounds like it has something to lose, and for most of the album's run, that urgency pays off. The backstory is almost too tidy to believe. Vocalist Miguel Owls was a Central Valley factory worker posting covers online when Bristol-based guitarist Chris Biddiscombe found one of his Architects tributes and sent a message. With drummer Benji Havercroft on board, the trio spent months writing across an ocean, with Miguel rising before dawn to work on songs before his shift. Two EPs, LUCID and EXIST , built a streaming audience, and a Solid State deal followed. For the full-length, they relocated to Michigan to work with producer Landon Tewers of The Plot In You. His polish is all over the reco...
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The Weight of Held Breath: Janus - Empty Eyes (Track Review) Released: 10/10/25

  When a cult-favorite alternative metal band returns after a long silence, the reaction is usually a mix of anticipation and skepticism. Fans across the Midwest, especially along the club circuit running from Chicago up through Wisconsin, wonder whether the chemistry that made the earlier records special can be recaptured, or whether time and evolution have worn down the edge. For Chicago's JANUS, the 2025 single "Empty Eyes" answers with an emphatic yes. The original lineup is back together: vocalist David Scotney, guitarist and keyboardist Mike Tyranski, bassist Al Quitman, and drummer Johnny Salazar. The track feels less like a nostalgia trip than a purposeful reinvention. Produced and mixed by Chris Grainger and mastered by Ted Jensen at Sterling Sound, it sounds pristine, massive, and heavy, while staying true to the band's independent roots. "Empty Eyes" opens with a dense, brooding atmosphere, the kind of overcast mood that suits late-night drives...

Fighting Back Against the Wall: Signal the Revolution - Deadline (Track Review) Released: 2/10/26

  Some songs are written about a deeply personal crisis: a private heartbreak, a quiet failure, an internal reckoning that plays out in the dark. But every so often, a track captures a broader, more collective suffocation. "Deadline," the high-intensity single from Louisville, Kentucky outfit Signal the Revolution, belongs firmly in the latter category. It is about the pressure everyone feels, the slow-building dread of modern existence, and the moment when abstract anxiety stops being a distant concept and lands squarely on your shoulders. It is a song for anyone who has woken up already tired, already behind, and already aware that the day ahead will ask for more than they feel they have to give. According to the band, "Deadline" is a meditation on the world as we know it: the psychological and emotional tipping point where the walls close in, the weight settles on your chest, and you are forced into a binary choice. You can break under the strain, or you can ...

A Masterclass in Macabre Machinery: I Rose From The Dead - A Haunted House for All to See (Album Review) Released: 10/8/26

  Concept albums in heavy music often run the risk of collapsing under the weight of their own ambitions, substituting genuine emotional resonance for overly convoluted lore. Too many bands mistake density for depth, burying whatever they actually want to say beneath layers of mythology that never quite cohere. Yet, with their full-length outing A Haunted House for All to See , Oshkosh metalcore outfit I Rose From The Dead manages to construct a house of horrors that feels dangerously, urgently alive. Utilizing classic horror cinema, internet urban legends, and cultural hauntings as a mirror for modern sociopolitical rot, the band has delivered a conceptual triumph that is as intellectually stimulating as it is sonically devastating. This is a natural evolution for a band whose The Man With Fire EP already made clear that horror, for them, has never just been aesthetic dressing: it's a language for talking about fascism, control, and the systems that keep people small. The record...

Floating Without Faking It: Mirage Gods - Atmosphere (Track Review) Released: 3/25/24

  There's a particular kind of exhaustion that comes from pretending you're fine, and Chicago's Mirage Gods build an entire song around the relief of dropping the act. "Atmosphere," released alongside an immersive lyric visualizer, finds the band balancing atmospheric tension with raw emotional weight. Anthony Lira (vocals), Brandon Minor (drums), Javier Caponigri (bass), and guitarists Brian Kowalski and Jason Bailey create a sound that feels both expansive and intimately claustrophobic, drifting somewhere above ordinary life while the pressure keeps climbing. It's a collision of existential dread and emotional confrontation, built on a foundation that is as rhythmically punishing as it is texturally rich. The song opens with an invitation tinged with melancholy and desperation. Lira sings about filling his lungs with hope and asking for a favorite joke one more time, a conversational but strained exchange. The gesture isn't really about lightness; it fee...

Grief, Grace and Rebirth: Gore. - ...Then You Cannot Love Me (EP Review) Release: 10/9/26

  Some EPs stand alone. ...Then You Cannot Love Me is the second half of a sentence. Gore. began that sentence a year earlier with If You Do Not Fear Me... , whose trailing ellipsis read like a held breath, and this record is the exhale. Together the two EPs run close to album length, and the band always meant them to be heard as a pair, a story told in two parts rather than a release and its follow-up. Gore. are a metalcore outfit from Houston, Texas, formed in 2023. Vocalist Haley Roughton is joined by guitarist Alex Reyes, bassist Devin Birchfield, and drummer Wills Weller, formerly of Toothgrinder, who joined in 2025, turning the trio into a quartet. Their rise was fast. Two songs uploaded to YouTube drew an unexpectedly rapid response, and Motionless in White, Papa Roach, and Flyleaf gave their approval. A Spinefarm deal followed, along with their debut EP, A Bud That Never Blooms . Revolver tipped them as a "Band You Need To Know," and NME put them on its 2025 emergin...

Where the Laws of Nature No Longer Apply: St. October - Bathsheba Sherman feat. Lindsay Schoolcraft (Track Review) Release: 10/1/26

  Our favorite Iowa black metal quartet arrives once again with their latest offering,  "Bathsheba Sherman," featuring the incomparable Lindsay Schoolcraft,  as a masterclass in horror-inspired extreme metal. It translates the cinematic dread of James Wan's modern classic The Conjuring into a crushing, atmospheric heavy metal anthem. Released at the onset of the haunting season, the track captures the oppressive atmosphere of the cursed Perron farmhouse and the malevolent spirit said to haunt its grounds. It avoids the cheap gimmicks that so often weigh down horror-themed music and delivers a genuinely chilling sonic experience. The lineup is formidable: Dusten Leibert on guitar, keys, and vocals, Monica Leibert on lead vocals, Sid Summerson on bass, and Jade Pement on drums, joined by Schoolcraft. Together they have crafted a fully realized piece of gothic art that stands on its own musical merits while serving as a loving, terrifying tribute to cinematic lore. You don...