Skip to main content

Where Nothing Grows: Eyes of Anguish - Thorns (Track Review) Released: 3/19/22

 


Eyes of Anguish, a rising heavy act from Hobart, Indiana, sharpen their identity with “Thorns,” a track that blends emotional venom with tightly honed musicianship. Consisting of Joey (vocals), Eric (rhythm guitar), Greg (lead guitar), David (bass), and Ryan (drums) channel their collective weight into a song that feels both suffocating and cathartic, a confrontation set inside a garden built from decay. “Thorns” opens with imagery that immediately sets the tone: a place where nothing grows, where every seed is doomed to rot beneath the surface. The lyrics paint a portrait of a manipulative figure who cultivates suffering, someone who lures others into a personal hell and keeps them imprisoned there. Joey’s vocal delivery captures that emotional erosion and the sense of fading away under someone else’s shadow, while the band behind him tightens the noose with every measure.

Eric and Greg’s guitars twist around each other like the vines described in the song, shifting between brooding tension and explosive release. David’s bass adds a dark undercurrent, grounding the track in a sense of inevitability, while Ryan’s drumming drives the emotional pacing with precision. Together, they create a sonic landscape that mirrors the lyrical imagery: choking vines, stolen sunlight, a home for snakes rather than safety. The chorus hits with a heavy emotional punch. The repeated sense of “fading away” becomes the heart of the track, a confession of how deeply the damage has taken hold. Yet the song refuses to stay in despair. As it builds, the tone shifts from resignation to rebellion. The narrator vows to tear free, to burn the toxic garden to the ground, to reclaim the air that’s been stolen. It’s a moment of catharsis that feels earned, not forced.

By the final refrain, “Thorns” transforms from a lament into a declaration of escape. The imagery of shadows and suffocating vines gives way to a desperate, furious demand for freedom. Eyes of Anguish excel at turning pain into something powerful, something loud, something sharp, something that refuses to be ignored. “Thorns” stands out not just for its heaviness, but for its honesty. It’s a track about recognizing the poison in your life, naming it, and finally choosing to walk away, even if you have to burn everything behind you to do it.


        Take a listen to Thorns and add it to your playlist, you won't regret it:

      

Give them a follow on Instagram: Eyes Of Anguish

Comments

Popular posts from this blog

A Bonfire Built for Burning Down Egos: Saving Vice - Straw Dogs (Track Review) Released: 10/4/25

Saving Vice is the embodiment of metalcore excellence and a powerhouse rising out of New England, specifically Burlington, Vermont, and they've never been afraid to get confrontational, but “Straw Dogs” is the band at their most venomous, theatrical, and unapologetically hostile. Consisting of Tyler Small, Robbie Litchfield, Alex Chan, and Sam Willey, the band channels pure contempt into a track that feels like a ritual execution set to music. If Saving Vice’s catalog is a gallery of emotional extremes, “Straw Dogs” is the piece where the frame catches fire. This song in particular revolves around a single yet brutal idea: some people are built of nothing but dry straw, and all it takes is a spark to expose how hollow they really are. The narrator tears into a target who poses as powerful but collapses under scrutiny, and this is someone loud, insecure, and inflated by their own myth. The imagery is vicious: boiling blood, collapsing thrones, paper crowns, inbred worms, a few co...

Baptized in Hatred that Draws First Blood: LYCVNS - TEETH feat. Carlos Guzman of Feels Like Karma (Track Review) Released: 4/5/26

  Some songs ease you in, and then some songs grab you by the throat before you even realize what's happening. "TEETH" by LYCVNS is firmly the latter. From the very first line: I'll make you fucking  swallow  teeth,  this  track makes its intentions crystal clear, and it never once blinks, never once softens, never once apologizes for what it is. This is heavy music made by people who aren't playing a character. This is the real thing. LYCVNS arrives with a lineup that feels assembled with a specific kind of violence in mind. Erin Medrano (Fallen Condition) leads on vocals, and what immediately separates him from the pack is that nothing about his delivery feels performed. There's no posturing here, no calculated aggression for the sake of fitting a mold. Every line he delivers sounds like it's coming from somewhere genuine and unresolved, like he's pulling these words out of something he's been carrying for a long time. That authenticity is rare...

Kentucky's Heavy Secret: Stormtoker - These Edibles Ain't Shit (EP Review) Released: 12/5/25

  Lexington, Kentucky, isn't exactly the first city that comes to mind when you think of the sludge and stoner metal underground, but Stormtoker seems intent on changing that. Their EP These Edibles Ain't Shit arrives like a slow, crushing wave of amplifier worship and chemically-assisted existential dread, and it makes a compelling case that the Bluegrass State has something mean and heavy brewing beneath its surface. Stormtoker is a fierce, impassioned force of nature, a band that feels like devout disciples of Ozzy Osbourne who came of age at the turn of the millennium but refused to let the roots of heavy metal die.  With sonic DNA tracing back to Cream, Hendrix, King Crimson, and even Arthur Brown, they summon an alluring sound that entrances as much as it pummels. This is a band equally at home in the sludge pit and the alt-rock headspace, a melodic restlessness running beneath the downtuned grime that keeps things unpredictable and owing as much to the 90s alternative u...