Skip to main content

No Resurrection for This: DemsFightinWords - Bury Both (Track Review) Released: 10/3/25

 


“Bury Both” doesn’t creep in; it lurks, carrying that cold Chicago Nu‑Beatdown energy that feels like a confrontation you’ve been avoiding. Scott McGinnis, Austin Allen, Nathaniel Scott, Dylan Greenhill, and Santana Salazar move as a unit here, pushing a sound that’s less about theatrics and more about raw intent. The track hits with that familiar Midwest weight: blunt, unfiltered, and emotionally charged. Every line feels like it’s coming from someone who’s finally done carrying what isn’t theirs anymore. As the song unfolds, the vocal delivery becomes the centerpiece of the tension. There’s a back‑and‑forth edge to it, not just two voices, but two versions of the same person calling each other out. It gives the track a psychological bite, the sense that you’re listening in on an internal reckoning rather than a performance. The pacing stays tight and hostile, never giving the listener a chance to settle, mirroring the emotional volatility at the heart of the lyrics.

What makes“Bury Both” hit harder is how grounded it feels. There’s no gloss, no attempt to soften the blow. The band leans into the ugliness of letting go: the resentment, the exhaustion, the clarity that comes only after you’ve hit your limit. By the time the track reaches its final moments, it feels less like a song ending and more like a door slamming shut on something that needed to die. “Bury Both” stands as a sharp, unflinching statement that is heavy in sound, heavier in intent. It’s the kind of track that doesn’t just vent frustration; it buries it, marks the grave, and walks away without looking back. A strong, gritty showing from Chicago’s Nu‑Beatdown scene, and a reminder of why DemsFightinWords hit as hard as they do.


                                                             Go and check out Bury Both!:



Give them a follow on Instagram: DemsFightinWords

Comments

Popular posts from this blog

Kentucky's Heavy Secret: Stormtoker - These Edibles Ain't Shit (EP Review) Released: 12/5/25

  Lexington, Kentucky, isn't exactly the first city that comes to mind when you think of the sludge and stoner metal underground, but Stormtoker seems intent on changing that. Their EP These Edibles Ain't Shit arrives like a slow, crushing wave of amplifier worship and chemically-assisted existential dread, and it makes a compelling case that the Bluegrass State has something mean and heavy brewing beneath its surface. Stormtoker is a fierce, impassioned force of nature, a band that feels like devout disciples of Ozzy Osbourne who came of age at the turn of the millennium but refused to let the roots of heavy metal die.  With sonic DNA tracing back to Cream, Hendrix, King Crimson, and even Arthur Brown, they summon an alluring sound that entrances as much as it pummels. This is a band equally at home in the sludge pit and the alt-rock headspace, a melodic restlessness running beneath the downtuned grime that keeps things unpredictable and owing as much to the 90s alternative u...

A Bonfire Built for Burning Down Egos: Saving Vice - Straw Dogs (Track Review) Released: 10/4/25

Saving Vice is the embodiment of metalcore excellence and a powerhouse rising out of New England, specifically Burlington, Vermont, and they've never been afraid to get confrontational, but “Straw Dogs” is the band at their most venomous, theatrical, and unapologetically hostile. Consisting of Tyler Small, Robbie Litchfield, Alex Chan, and Sam Willey, the band channels pure contempt into a track that feels like a ritual execution set to music. If Saving Vice’s catalog is a gallery of emotional extremes, “Straw Dogs” is the piece where the frame catches fire. This song in particular revolves around a single yet brutal idea: some people are built of nothing but dry straw, and all it takes is a spark to expose how hollow they really are. The narrator tears into a target who poses as powerful but collapses under scrutiny, and this is someone loud, insecure, and inflated by their own myth. The imagery is vicious: boiling blood, collapsing thrones, paper crowns, inbred worms, a few co...

Baptized in Hatred that Draws First Blood: LYCVNS - TEETH feat. Carlos Guzman of Feels Like Karma (Track Review) Released: 4/5/26

  Some songs ease you in, and then some songs grab you by the throat before you even realize what's happening. "TEETH" by LYCVNS is firmly the latter. From the very first line: I'll make you fucking  swallow  teeth,  this  track makes its intentions crystal clear, and it never once blinks, never once softens, never once apologizes for what it is. This is heavy music made by people who aren't playing a character. This is the real thing. LYCVNS arrives with a lineup that feels assembled with a specific kind of violence in mind. Erin Medrano (Fallen Condition) leads on vocals, and what immediately separates him from the pack is that nothing about his delivery feels performed. There's no posturing here, no calculated aggression for the sake of fitting a mold. Every line he delivers sounds like it's coming from somewhere genuine and unresolved, like he's pulling these words out of something he's been carrying for a long time. That authenticity is rare...